A Conversation with Davis Bunn on Writing “Hidden in Dreams”
Q: How much research did you have to conduct to write this intriguing story?
A: In a way, I suppose you could say I’ve been researching this story all my adult life. I did my studies in international economics and finance. Observing the difficulties our nation and economy has faced over the past three years, as well as what we personally have endured, has been tough. It really was great to have this chance to give voice to what we increasingly hear, that the people at fault need to be brought to justice, and the risk of another economic collapse needs to be halted.
Q: You’re writing about two women in this novel. Is it ever a challenge to write from the female point of view?
A: Learning to write from a woman’s point of view is very difficult for a male writer, as it usually is for a woman author writing a man’s story. Before I was published, I became friends with a husband and wife team who were both opera stars. The woman often sang a male role in a Mozart opera that was originally designed for a young boy, but which nowadays is usually sung by a woman with a slightly lower range, called a coloratura.
I discussed my difficulty with her, of trying to make my women sound real. She told me that my trouble stemmed from working on a woman character from the outside. It wasn’t about making women ’sound’ anything. It was all about making the character live from the inside-out.
As I worked on the point of view issue, trying to put my friend’s challenge into practice, I also began going into any meeting with a woman carrying a secret tape recorder, and taping everything that was said. I then went back and wrote out every word. It was perhaps the most boring month of my entire writing career.
But gradually I found that I could ‘hear’ the speech patterns of these women, and reshape them into structures that fitted around what was happening in my stories. And through this exercise, the emotional content that lay behind the dialogue, the person who was expressing herself, became more real, more solid.
And then I met my wife, Isabella. And the process of instruction at the intimate level of a God-centered marriage began to unfold.
Q: In Hidden, Elena and her colleagues are attacked in Miami. After the attack, why did Elena not take more precautions?
A: Elena had a choice to make, and so did I. Either she could play the delicate flower – fearing everything and going nowhere – or she could go on the hunt. I liked the balance between her internal fears and uncertainties, and her quest as a professional psychologist. She is, in effect, trained to look for clues – to go on the quest of drawing out the hidden. I felt the actions she took, despite the dangers, to be her natural response.
Q: Why do you write fiction?
A: I became a believer at age 28. Up to that time, ever since graduating, I had been working in international business. I came to faith while working as a consultant in Germany. I started writing two weeks later. Up to that point, I had never picked up a pen in my life to write anything longer than a business report. But I had always been an avid reader. And the moment I started, that very first instant, I had the sense of invitation. It was the first time I had ever experienced that incredible sense of being drawn in a new, divinely inspired direction.
I wrote for nine years and finished seven novels before my first was accepted for publication. Simply because I had received a sense of calling did not mean I was ready to serve. First the diamond had to be polished. Hard and painful as that was.
Q: What is your goal as a novelist?
A: I want to combine a truly entertaining read with a powerful after-effect. My dream is that long after the book is set down with a satisfied sigh, there are still images that surface, lessons that can be drawn, genuine hope and healing and challenges and inspirations. I want my writing to be worthy of the gift.
Q: How can readers find you on the Internet?
A: My website and blog are at www.davisbunn.com