It would be presumptuous of me to tell you that! I can only put them in the order of my favorites with a tiny summary from amazon.com to hopefully titillate your mental senses and demand you read them all. And before the summer sun lures you to the great outdoors and more energetic activities!
The Fountainhead by Any Rand has become an enduring piece of literature, more popular now than when published in 1943. On the surface, it is a story of one man, Howard Roark, and his struggles as an architect in the face of a successful rival, Peter Keating, and a newspaper columnist, Ellsworth Toohey. But the book addresses a number of universal themes: the strength of the individual, the tug between good and evil, the threat of fascism. The confrontation of those themes, along with the amazing stroke of Rand’s writing, combine to give this book its enduring influence.
Fahrenheit 451, Ray Bradbury’s classic, frightening vision of the future, firemen don’t put out fires–they start them in order to burn books. Bradbury’s vividly painted society holds up the appearance of happiness as the highest goal–a place where trivial information is good, and knowledge and ideas are bad. Fire Captain Beatty explains it this way, “Give the people contests they win by remembering the words to more popular songs…. Don’t give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.”
In Nobel laureate Elie Wiesel’s memoir Night, a scholarly, pious teenager is wracked with guilt at having survived the horror of the Holocaust and the genocidal campaign that consumed his family. His memories of the nightmare world of the death camps present him with an intolerable question: how can the God he once so fervently believed in have allowed these monstrous events to occur? There are no easy answers in this harrowing book, which probes life’s essential riddles with the lucid anguish only great literature achieves. It marks the crucial first step in Wiesel’s lifelong project to bear witness for those who died.
Dante’s Inferno: To be well read means that you have read the Divine Comedy (at least once). At once haunting, dark and yet grotesquely beautiful, Dante has written for us the definitive Catholic epic poem of hell, purgatory and heaven. Inferno is an allegory telling of the journey of Dante through what is largely the medieval concept of hell, guided by the Roman poet Virgil. In the poem, Hell is depicted as nine circles of suffering located within the Earth. Allegorically, the Divine Comedy represents the journey of the soul towards God, with the Inferno describing the recognition and rejection of sin. (Last part from
Emily Bronte’s Jane Eyre is full of drama: fires, storms, attempted murder, and a mad wife conveniently stashed away in the attic. On the surface a fairly conventional Gothic romance (poor orphan governess is hired by rich, brooding Byronic hero-type), Jane Eyre hardly seems the stuff from which revolutions are made. But the story is very much about the nature of human freedom and equality, and if Jane was seen as something of a renegade in nineteenth-century England, it is because her story is that of a woman who struggles for self-definition and determination in a society that too often denies her that right.